I am very much aware of my own double self… The well-known one is very under control; everything is planned and very secure. The unknown one can be very unpleasant. I think this side is responsible for all the creative work — he is in touch with the child. He is not rational, he is impulsive and extremely emotional. Perhaps it is not even a “he," but a “she." - Liv Ullmann (Persona (1966), Hour of the Wold (1968), Shame (1968), Cries and Whispers (1972), Scene from a Marriage (1973), Face to Face (1975), The Serpent's Egg (1977), Autumn Sonata (1978), and Saraband, (2003))